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🔗 Film 🔗 Film/American cinema 🔗 Film/Documentary films

Werner Herzog Eats His Shoe is a short documentary film directed by Les Blank in 1980 which depicts director Werner Herzog living up to his promise that he would eat his shoe if Errol Morris ever completed the film Gates of Heaven. The film includes clips from both Gates of Heaven and Herzog's 1970 feature Even Dwarfs Started Small. Comic song "Old Whisky Shoes", played by the Walt Solek Band, is the signature tune over the opening and closing credits.

Filmed in April 1979, the film features Herzog cooking his shoes (the ones he claims to have been wearing when he made the bet) at the Berkeley, California restaurant Chez Panisse, with the help of chef Alice Waters. (The shoes were boiled with garlic, herbs, and stock for 5 hours.) He is later shown eating one of the shoes before an audience at the premiere of Gates of Heaven at the nearby UC Theater. He did not eat the sole of the shoe, however, explaining that one does not eat the bones of the chicken.

Morris is not shown in the film, and Herzog, Morris, and others have told different stories of the nature of the bet, disagreeing as to whether it was serious, flippant, or an after-the-fact publicity stunt.

Blank went on to direct Burden of Dreams (1982), a feature-length documentary about Herzog and the making of Fitzcarraldo. Werner Herzog Eats His Shoe is included as an extra on The Criterion Collection edition of the Burden of Dreams DVD. It is also included as an extra in the Criterion Collection edition of the Gates of Heaven Blu-ray disc.

When Chez Panisse celebrated its 40th anniversary, a replica of the shoe was created, boiled, and eaten as part of the public anniversary celebration.

The Academy Film Archive preserved Werner Herzog Eats His Shoe in 1999.

🔗 Film 🔗 Film/American cinema 🔗 Film/Documentary films 🔗 Film/British cinema

The Up series of documentary films follows the lives of ten males and four females in England beginning in 1964, when they were seven years old. The first film was titled Seven Up!, with later films adjusting the number in the title to match the age of the subjects at the time of filming. The documentary has had nine episodes—one every seven years—thus spanning 56 years. The series has been produced by Granada Television for ITV, which has broadcast all of them except 42 Up (1998), which was broadcast on BBC One. Individual films and the series as a whole have received numerous accolades; in 1991, the then-latest instalment, 28 Up, was chosen for Roger Ebert's list of the ten greatest films of all time.

The children were selected for the original programme to represent the range of socio-economic backgrounds in Britain at that time, with the expectation that each child's social class would determine their future. The first instalment was made as a one-off edition of Granada Television's series, World in Action, directed by Canadian Paul Almond, with involvement by "a fresh-faced young researcher, a middle-class Cambridge graduate", Michael Apted, whose role in the initial programme included "trawling the nation's schools for 14 suitable subjects". About the first programme, Apted has said:

It was Paul's film ... but he was more interested in making a beautiful film about being seven, whereas I wanted to make a nasty piece of work about these kids who have it all, and these other kids who have nothing.

After Almond's direction of the original programme, director Michael Apted continued the series with new instalments every seven years, filming material from those of the fourteen who chose to participate. The aim of the continuing series is stated at the beginning of 7 Up as: "Why did we bring these together? Because we wanted a glimpse of England in the year 2000. The union leader and the business executive of the year 2000 are now seven years old." The most recent instalment, the ninth, titled 63 Up, premiered in the UK on ITV in 2019. A special episode featuring celebrity fans of the series, 7 Up & Me, also aired on ITV in 2019. Apted is reported to have said, "I hope to do 84 Up when I'll be 99"; however, he died in 2021.

🔗 Film 🔗 Film/Documentary films 🔗 Women scientists

Top Secret Rosies: The Female "Computers" of WWII is a 2010 documentary film directed by LeAnn Erickson. The film is focused on recognizing the contributions of women during WWII, serving as human computers and six of whom went on to program one of the earliest computers, the ENIAC. Their work helped the United States improve the accuracy of weaponry as most conducted ballistics analysis. The film officially premiered on November 1 on PBS.

🔗 United States 🔗 Film 🔗 Library of Congress 🔗 Film/American cinema 🔗 Film/Silent films 🔗 Film/Documentary films 🔗 United States/Film - American cinema

A Trip Down Market Street is a 13-minute actuality film recorded by placing a movie camera on the front of a cable car as it traveled down San Francisco’s Market Street. The film shows many details of daily life in a major early 20th century American city, including the transportation, fashions and architecture of the era. The film begins at 8th Street and continues eastward to the cable car turntable, at The Embarcadero, in front of the Ferry Building. Landmarks passed in the latter part of the first half include the Call Building (then San Francisco's tallest) and the Palace Hotel (both on the right; Lotta's Fountain is on the left between the two but is in the shade). The film was produced by the four Miles brothers: Harry, Herbert, Earle and Joe. It is notable for capturing San Francisco four days before the 1906 San Francisco earthquake, which started on the morning of Wednesday, April 18, 1906.

The Miles brothers had been producing films in New York including films shot in San Francisco. In September 1905 they shot the fight between Oscar "Battling" Nelson and Jimmy Britt in Colma, California, just south of San Francisco city limits. The Miles brothers established a studio at 1139 Market Street in San Francisco in early 1906. They shot a railroad descent down Mount Tamalpais as well as the Market Street film. On April 17, Harry and Joe Miles boarded a train for New York, taking the two films with them, but they heard about the earthquake and sent the films to New York while they boarded another train headed back to San Francisco. The Turk Street house of Earle Miles survived the earthquake and subsequent catastrophic fire but the studio did not. The Miles brothers based their business out of Earle's home, and shot more film of post-earthquake scenes; some of this footage, including that of a second trip down a now devastated Market Street, reemerged in 2016. It is likely that the Market Street film survives today because it was sent away before the fire.

Several 35mm prints exist with slight changes in footage. Copies are held at the Library of Congress and the Prelinger Archives. A digital version is viewable online at Internet Archive, YouTube and Wikimedia Commons. In 2010, the film was selected for preservation in the National Film Registry by the Library of Congress.